Hans von Aachenwas a German mannerist painter. His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc. Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time. He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I. Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler. | |||
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Kreuzigung Christi Pintura Identificación:: 67959 Vea nuestra galería en Suecia |
Kreuzigung Christi Year Deutsch: nach 1600 Technique Deutsch: Kupfer Dimensions Deutsch: 33 x 26 cm Year_Deutsch:_nach_1600_ Technique_Deutsch:_Kupfer_ Dimensions_Deutsch:_33_x_26_cm |
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Vertreibung aus dem Paradies Pintura Identificación:: 67993 Vea nuestra galería en Suecia |
Vertreibung aus dem Paradies Year Deutsch: nach 1600 Technique Deutsch: Alabaster Dimensions Deutsch: H. 25 cm x B. 21,5 cm Year_Deutsch:_nach_1600_ Technique_Deutsch:_Alabaster_ Dimensions_Deutsch:_H._25_cm_x_B._21,5_cm |
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und auf der Reckseite die Entfesselung der Winde durch Aeolus Pintura Identificación:: 67995 Vea nuestra galería en Suecia |
und auf der Reckseite die Entfesselung der Winde durch Aeolus Year Deutsch: nach 1600 Technique Deutsch: Gemälde auf Alabaster Dimensions Deutsch: H. 38 cm Year_Deutsch:_nach_1600_ Technique_Deutsch:_Gemälde_auf_Alabaster_ Dimensions_Deutsch:_H._38_cm |
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und auf der Reckseite die Entfesselung der Winde durch Aeolus Pintura Identificación:: 68002 Vea nuestra galería en Suecia |
und auf der Reckseite die Entfesselung der Winde durch Aeolus Year Deutsch: nach 1600 Technique Deutsch: Gemälde auf Alabaster Dimensions Deutsch: H. 38 cm, Year_Deutsch:_nach_1600_ Technique_Deutsch:_Gemälde_auf_Alabaster_ Dimensions_Deutsch:_H._38_cm, |
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Matthias, Holy Roman Emperor Pintura Identificación:: 68006 Vea nuestra galería en Suecia |
Matthias, Holy Roman Emperor Year 1600-1625 Technique Oil on canvas Dimensions 104 X 80 cm Year_1600-1625_ Technique_Oil_on_canvas_ Dimensions_104__X__80_cm |
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| Hans von Aachen | ||||||||||
| was a German mannerist painter. His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc. Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time. He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I. Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler. | ||||||||||
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